PDF Download Ruby Ray: Kalifornia Kool: Photographs 1976-1982, by Ruby Ray
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Ruby Ray: Kalifornia Kool: Photographs 1976-1982, by Ruby Ray
PDF Download Ruby Ray: Kalifornia Kool: Photographs 1976-1982, by Ruby Ray
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Review
It’s a time capsule into an era when fun could be weaponized against an establishment that was giving out poison Kool-Aid and instituting “no dancing†rules in clubs. (Sarah Nechamkin Interview)[Kalifornia Kool] is a glamorous yet melancholy jaunt down memory lane. (Alex Jovanovich Bookforum)Spanning the late ’70s and early ’80s, Ruby Ray’s photography captured the DIY misfits of music, art and literature. (Miss Rosen Huck)Ruby Ray: Kalifornia Kool is a new book that collects the photographer’s images from this time: live shots, backstage parties, apartments overflowing with youthful exuberance, elegant portraits of key people and photographic experiments. Her work captures a time and a place where West Coast open-mindedness, youth, art, music and electricity merged. (Katy Cowan Creative Boom)
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Product details
Hardcover: 200 pages
Publisher: Trapart Books (February 19, 2019)
Language: English
ISBN-10: 9198451235
ISBN-13: 978-9198451238
Product Dimensions:
9.8 x 0.8 x 9.8 inches
Shipping Weight: 2.7 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#29,321 in Books (See Top 100 in Books)
If you came of age in San Francisco in the late 70s and early 80s, and had anything to do with the city's punk and performance art scenes, you will be transported the instant you see the cover, crack the spine and find the opening essay by Val Vale of Search and Destroy and Re/Search fame. If you are interested in the development and expression of late 20th century alternative culture, this book is an essential, and thoroughly engaging, document both for its subject matter and for its distinct, compelling and novel aesthetic.One might be tempted to call Ray the Weegee of the Punk Scene, her stark, black and white, photos catching the characters, human experience and drama of the folks operating at (and defining) the margins of late 70s, San Francisco culture, but that would be a grave disservice to the work. Weegee's big flash nocturnal photos were, by intent, glaring, intrusive and lurid; Ruby's work is frank, warm, matter of fact and affectionate. She's one of these folks, catching them in their act, in their travels, their groupings and their down moments. Her work's draw, and its contribution to documentary photography, is its simple candor, catching a time, and the people populating a tiny subculture whose influence extended far beyond its numbers.Ray's photographs are living objects, viscerally animating the force, foibles and pleasure of SF Punk's quirky, pounding, wounded vitality with such character and creative integrity that the forty year gap between their production and publication arrives as shocking reminder of passed, rather than a contextual lens necessary to the placement and interpretation of her work. The artist’s work thrives in this stunning collection because it is intensely present--we are here in the room, at the Mab, with Ray, the Punks and the performance artists. Unlike Arbus who objectified her "freaks" through personally distant prying exposure, Ruby Ray’s skin is fully in the work, her love for her subjects fully evident, and we as viewers are better for it.
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