PDF Ebook Absolutely on Music: Conversations (Vintage International), by Haruki Murakami Seiji Ozawa
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Absolutely on Music: Conversations (Vintage International), by Haruki Murakami Seiji Ozawa
PDF Ebook Absolutely on Music: Conversations (Vintage International), by Haruki Murakami Seiji Ozawa
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Review
“A fascinating collection of conversations. . . . The unpretentious and engaging dialogues between passionate artists—the bewitching writer in whose novels music plays a prominent part and the indefatigable, amiable conductor—make the pages fly.” —The New York Times“Highly entertaining. . . . A book that opens a new side of [Murakami’s] authorial persona.” —San Francisco Chronicle“Absolutely on Music is an unprecedented treasure. . . . Talking about music is like dancing about architecture, it’s often said, but what joy to watch these two friends dance.” —The Guardian“Enthralling. . . . What comes through in these conversations is the devotion both men feel for music; the degree to which every detail of a work matters to them.” —The Seattle Times “Fascinating. . . . [Murakami’s] preparation and curiosity draw out Mr. Ozawa wonderfully.” —The Wall Street Journal“An enviable word picture of the artistic life of two men at the top of their professional games. . . . [Absolutely on Music] offers so much that bears re-reading and considering.” —The Washington Times “Irresistibly seductive.” —Evening Standard “Refreshingly honest and enthusiastic, a mental sampler from both the writer and the musician.” —The Buffalo News “The book shines as a deep exploration into how a conductor does his job and how performer personalities, logistical factors, and mundane bureaucracies can change an orchestra’s sound.” —The New Republic “Intriguing insights about the nature of music. . . . In some ways, these conversations are High Fidelity for classical music fans.” —Publishers Weekly “A strange and delightful book. . . . [Murakami] describes music with rich and suggestive metaphors and images that capture something essential about the spirit of the music.” —The Christian Science Monitor
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About the Author
Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Hans Christian Andersen Literature Award, whose previous recipients include J. K. Rowling, Isabel Allende, and Salman Rushdie. www.harukimurakami.com Seiji Ozawa served as music director of the Boston Symphony Orchestra for twenty-nine years, and was music director of the Toronto Symphony Orchestra, the San Francisco Symphony, the Chicago Symphony Orchestra’s Ravinia Festival, and Wiener Staatsoper. With Kazuyoshi Akiyama, he formed the Saito Kinen Orchestra and is the director of the Seiji Ozawa Matsumoto Festival. Ozawa has been deeply involved in musical education through his work with the Tanglewood Music Center Orchestra, the Ozawa International Chamber Music Academy Okushiga, the Seiji Ozawa International Academy Switzerland, and as founder of the Seiji Ozawa Music Academy Opera Project, organizations which provide opportunities to outstanding students in Asia and Europe. Among his many honors, Ozawa has been awarded France’s Officier de la Légion d’Honneur, the Japanese Order of Culture, a Kennedy Center Honor, and a Grammy for Best Opera Recording.
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Product details
Series: Vintage International
Paperback: 320 pages
Publisher: Vintage; Translation edition (October 3, 2017)
Language: English
ISBN-10: 0804173729
ISBN-13: 978-0804173728
Product Dimensions:
5.2 x 0.7 x 8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
78 customer reviews
Amazon Best Sellers Rank:
#62,865 in Books (See Top 100 in Books)
Classical music has scores with composers' notes and instructions; yet each performance, each conductor, each orchestra creates a different result. Soloists especially make a career out of their unique approach to the music. Novelist Haruki Murakami and conductor Seiji Ozawa, battling cancer, had a series of conversations on such subjects, as well as on Ozawa's life as a music director. This book, in translation, presents the interviews conducted over several years. Murakami happens also to be an avid collector of classical albums, CD and LP, and besides an extensive gathering of Ozawa's own recordings, he has multiple renditions of particular Beethoven, Brahms, Mahler, and Berlioz pieces, which he played to further the discussion. Good familiarity of these core classical composers is necessary to appreciate the topics. No scores are presented but a website is given with samples of the compositions. For the classical music enthusiast, the easily and quickly read book provides insights into the art and also the duties of the conductor. Ozawa had training with Leonard Bernstein and Herbert von Karajan and subsequently has led numerous orchestras. I personally remember his youthful years as conductor of the San Francisco Symphony after Josef Krips. The entertaining and informative talks explain the ways of conducting and the interactions with musicians, and the extensive presentation on Mahler adds a new dimension to listening to his symphonies. Murakmai proved to be a deep listener, who while not a musician himself, has an ear for subtle differences in performances of soloists and the orchestra at large. Thus, the two men could delve into specifics. The magic of a brilliant performance remains a mystery, but the reader will have gained greater understanding of its components.
I am guilty of not finishing this book. The music conversations get a little drifty and rambling. It seems you'd almost have to be listening to the music at the same time and reading their discussions. However, I enjoyed the concept of the author interviewing the musician, and comparing their different passions and hard word. For example, each getting up at 4am to read scores or to write. There are some real gems too, like "a musician finds their flavor as they age." So True.
Murakami is also a writer that rarely fails; he has written the conversations he had with Seji Ozawa, definitely the most important figure on Western music from Japan. But the conversations also are full of love (for Ozawa), and understanding and sympathy. Ozawa comes out bigger...and so does Murakami. Both come out of the book well,very well.
Fascinating. never read anything like it. Murakami is such a fan, and such a good asker of questions; Ozawa is such a regular guy (considering he is a great conductor) and very good at reflecting on what he has played and what others have played. It is great that in this era we can listen to many of the performances mentioned without requiring an enormous record library. The book is entertaining and absorbing even for some one without extensive knowledge of classical music.
I've read most of Murakami's work, and I have great appreciation and respect for it. Although I have enjoyed this particular work, it's really going to be most appreciated by serious students of music, which I am not. Kind of beautiful insights into the minds of the real characters, but if you are looking for a novel, I point you toward Wind Up Bird, or Norwegian Wood, Kafka on the Shore, especially for anyone who has never read this author. He's wonderful and should get a Nobel someday.
What a remarkable lyrical open easy read. I have encouraged anyone who cares about classical music to read it. It's a gem!
Nice insight if you are classical music lover. Conversation is between two great maestros in two different art world which makes it even more intriguing.
Conversations between the Author and Maestro are lovely. They pull you in to the past the emotion,the feel and thought given to the music they discuss. Using my prime music, i listen to the music they talk about too. I love this little book. Note: Mr.Murakami stated that Maestro Maurice Peress was of Puerto Rican American decent.p 130. Paperback. I understood him to be of immigrant Jewish decent.
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